Leaving is not enough. You must stay gone. Train your heart like a dog. Change the locks even on the house he’s never visited. You lucky, lucky girl. You have an apartment just your size. A bathtub full of tea. A heart the size of Arizona, but not nearly so arid. Don’t wish away your cracked past, your crooked toes, your problems are papier mache puppets you made or bought because the vendor at the market was so compelling you just had to have them. You had to have him. And you did. And now you pull down the bridge between your houses, you make him call before he visits, you take a lover for granted, you take a lover who looks at you like maybe you are magic. Make the first bottle you consume in this place a relic. Place it on whatever altar you fashion with a knife and five cranberries. Don’t lose too much weight. Stupid girls are always trying to disappear as revenge. And you are not stupid. You loved a man with more hands than a parade of beggars, and here you stand. Heart like a four-poster bed. Heart like a canvas. Heart leaking something so strong they can smell it in the street.
Frida Kahlo  (via fawun)

(Source: allmymetaphors)


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There are two very clear indications of real science and real art: the first inner sign is that a scholar or an artist works not for profit, but for sacrifice, for his calling; the second, outer sign is that his works are understandable to all people. Real science studies and makes accessible that knowledge which people at that period of history think important, and real art transfers this truth from the domain of knowledge to the domain of feelings.

Creating art is not as elevated a thing as many people guess, but certainly it is a useful and kind thing to do, especially if it brings people together and arouses kind feelings in them.


A Calendar of Wisdom - Leo Tolstoy on the meaning of life (via explore-blog)

THIS.

(via julieannnn)

(Source: )


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nevver:

Exposed, Bryan Adams


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therothwoman:

Pixar can never top this.

(Source: admiretheart)


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